Björk Reinvents Dance Music with ‘Fossora’
Since her emergence into the Reinvents Dance Music world of music, Icelandic Björk has not stop doing what is necessary with the idea of reinventing the pop sound in her image and likeness. Since her ‘Debut of Her’ in 1993, the artist has dar to experiment with sounds ranging from electronic to punk to ambient. However, it was to be expecte that her proximity to Arca de ella would eventually lead her to experiment with danceable and urban sounds. However, as could be expecte from a couple of singles signe by the Icelandic, they are not two normal reggaeton songs. Although Dembow’s rhythm is inescapable in ‘Atopos’ and ‘Ovule’, it is much more oppressive.
A Career Dedicated to Transformation
During the pandemic confinement, the performer began to compose an album base on her work on the flute and clarinet, but she did not stop Fast Food Email List fooling around. with the idea of a more ambitious album. She actually describ it as her “Icelandic disco” in an interview with Pirchfork, taking sounds from the nightlife of her country but without abandoning its folklore and choral tradition. björk : ovule But the fact that Arca is no longer present does not eliminate his influence on this work. The truth is that in the first two singles there are hints of the Venezuelan’s work in her ‘Kick’ series and her production for other artists in recent months. Most likely, the separation between the two is more due to the distance at the time of confinements and overly comp.
A New Leap in Sound
He did it with pop in the criticiz ‘Volta’ in 2007, with electronics in the 90s with ‘Homogenic’ and even with the entire concept of digital album with UK Phone Number List the release of ‘Biophilia’ in 2011. A tendency towards experimentation that note also in his choices of roles in his short film career. It is a constant commitment to reinvention that puts the Icelandic in the company of names like David Bowie or Beck, who walk that line that divides Avant Garde from pop without too many complexes and without a particular fear of falling on either side. . But even more than them, Björk hasn’t been afraid to scare off whatever listeners she might. and ‘Ovule’ draw on the rhythms of reggaeton, they do not do so to attract Bad Bunny’s listeners, and in fact at times they seem like songs design specifically to scare them away.