Rosalía Has Lost Her Personality in Search of Pop Success
Since the release of ‘El Mal Querer’ in 2018, the performer Pop Success Personality in Search has not been able to capture again that point where commercial success and experimentation intersect. Even her third album, the at times brilliant and at times confusing ‘ Motomam i’, has suffere from these ills. Hidden in the tracklist are gems like the trap bolero ‘Delirio de Grandeza’ or the Latin-key hyper pop of ‘Cuuuuuuuuuute’. But the singles were reggaeton pieces designe for disco like ‘Chiken Teriyaki’ or ‘Saoko’. Wisin & Yandel, ROSALÍA – Besos Moja2 (Official Video) But the subsequent singles worry even more. Both in ‘The Handkerchief’, alongside Romeo Santos, and in the recent ‘Besos Moja2’ alongside Wisin and Yandel , the Catalan has completely forgotten what made her a special artist. Even after her disco.
Brushes of Creativity in the Pop Ocean
Pieces like ‘Linda’ with the Puerto Rican Tokischa, or ‘Con Altura’ itself saw her showing off the Latin influences she adopte in her sound. She even Fishing and Forestry Email List knew how to take control of her collaborations with artists as diverse as James Blake in ‘Barefoot in the Park’ or that ‘Que noche la de noche’ with Bad Bunny. But at least his last three releases are pretty disposable. ‘Desphá’ is a well-made merengue, but it doesn’t have much to stand out in the long term, ‘El bandana’ is easy to confuse with any song by Romeo Santos, and the performer had already done a better bachata with The Weeknd , and ‘ Besos Moja2’ doesn’t seem to take place beyond a DJ’s playlist. But the truth is that part of the problem seems to be his choice of new collaborators.
Almost Five Years of ‘The Evil Wanting’
On the other hand, Wisin and Yandel are from the first crop of reggaeton artists who did little more than repeat the rhythms of Daddy Yankee’s ‘Gasolina’ until USA Phone Number List names like Bad Bunny or JBalvin remove them from the charts. ROSALÍA – DESPECHÁ (Official Video) The bad thing is that the artist has put the promotional weight on the most disposable songs. Since songs like the Catalan rumba of ‘Millonaria’ or the flamenco pop of ‘Aute Cuture’ faile to achieve the success she expecte, she has increasingly pointe to the urban sound. The problem is that the role playe by the ‘Malamente’ singer in her new songs could be playe by almost any artist… Part of what makes it necessary to point out the flaws of the artist’s new releases is that it’s easy to know how much she can accomplish.