Demands public recognition and the transcription of his own memory and perspective: a discovery that inaugurat four centuries of genocide. In Fort-de-France, the capital of Martinique, two statues of Victor Schœlcher. Traditionally celebrat by the French Republic as a symbol of the abolition of slavery in , were torn down on May . As the right-wing newspaper Le Figaro tells us: «The new censors believe they possess the truth and are the guardians of virtue». But it turns out that the “new censors” (that is, young anti-racist activists) want to turn the page on a paternalistic and subtly racist tradition of French universalism.
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He always describ the abolition of slavery as a gift to the slaves from the enlighten Republic. Tradition that Macron summ up well in the message quot above. The “new censors” share Frantz Fanon’s judgment in addressing Local, Suburban Passenger Transport Email List this cliché in his book Black Skin, White Masks : “The black man was content to thank the white man, and the most striking proof of this fact is the impressive number of statues that were erect throughout France and colonies to show white France caressing the curly hair of this handsome black man whose chains had just been broken.” Working with the past is not an abstract task or a purely intellectual exercise. Rather, it requires a collective effort that cannot be dissociat from political action.
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This is the meaning of the iconoclasm of these last days. In fact, although it has explod within a global anti-racist mobilization, the ground had already been forg by years of counter-memorial commitment Aero Leads and historical research carri out by a multitude of associations and activists. Iconoclasm, like all collective action, deserves attention and constructive criticism. To derogatorily stigmatize is simply to exonerate a history of oppression. Absolutely. Anywhere you use affiliate.
