Madrid Needs Originality If It Wants to Be the Hispanic Broadway
However, it still seems little more than an Originality If imitation of those two, fille to the brim with musical works that were already successful in their Anglo-Saxon peers or rehashes of theatrical pieces that were already successful in the past. This lack of risks is a difficulty that the theater world will have to overcome if it really wants to stand out. Occupying third place at the moment does not seem enough for the investment that has been made and maintaining it in the long term will always require a level of originality that has not been demonstrat in the world of musicals in the Spanish capital. by Taboolayou may like “It destroys everything”: Pilar Eyre reveals what Letizia does without Felipe VI in secret month after month If we review the current greatest hits of the capital’s Gran Vía.
Translations and Adaptations
Read on the marquees titles like ‘The Bridges of Madison’, ‘Grease’, ‘Mamma Mia!’ or ‘The Neverending Story’ make one think more of an 80s film Democratic Donor Email List than of a city at the forefront of theatre. The most obvious example is precisely the play that has been on the Gran Vía for the longest time. ‘The Lion King’ has been filling the Lope de Vega theater for eleven years now, and without detracting from the quality of the production, it is still striking that in a city that hopes to compete with the big ones, the most successful work being the Spanish adaptation of the theater adaptation of an animate film . A copy of a copy cannot be the jewel in the crown of a city that hopes to be at the forefront of the theater world.
Think Long Term
On the one hand, Lin Manuel Miranda’s ‘Hamilton’ brought the founding of the Unit States to the rhythm of Hip Hop, something that occurs for Russia Phone Number List the first time in the history of New York theater, and ‘Hadestown’ use indie and folk sounds very far from theater. traditional to adapt the Greek myth of Orpheus and Eurydice. Hadestown performs Both are proof that theater can also reward originality and breaking formats. In Madrid at the moment only ‘Malinche’ by Nacho Cano can be considere a similar experiment on a large scale, and although it has not been well receive by critics, which is why it is perceiv as a too clean version of miscegenation, it is still good news to be investe in attempts at original work. If the Spanish capital wants to maintain its third place, or wants to boast of going further.
